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Assistant Professor • University of Oklahoma

Libel, Representation,
and Innovation.

Joseph Mansky researches the interconnected histories of literature, law, and politics in early modern England. His first book studied the viral circulation of libels in and around Shakespeare's theater; his second, which is nearing completion, will show how literature shaped the idea of political representation before the advent of modern representative democracy. Most recently, he has begun to think and write about the idea of innovation, ca. 1500–1700.

Joseph Mansky portrait

Books

Cambridge University Press (2023)

Libels and Theater in Shakespeare’s England: Publics, Politics, Performance

In the 1590s, a series of crises—simmering xenophobia, years of dearth and hunger, surges of religious persecution, the fall of the Earl of Essex—sparked an unprecedented explosion of libeling. The same years also saw the first appearances of libels on the London stage. This book offers the first comprehensive history of the Elizabethan libel and its intimate relationship to theatrical performance. Avatars of sedition, libels nonetheless carved out spaces for ordinary people to pass judgment on the most controversial issues and persons of the day. Ranging from Shakespearean drama to provincial pageantry, the book reassesses the politics of the early modern theater and illuminates the viral (and often virulent) media ecosystem that sprung up around it.

In Preparation

Political Representation: A Literary History, 1580–1651

Representation is the bedrock of modern democratic politics, yet the relationship between representation and democracy has always been an “uneasy alliance,” as the political theorist Hanna Pitkin once put it. This book is a literary-historical inquiry into the nature and origins of this problem. To reconstitute early modern ideas of representation, it examines claims to speak for the people across a variety of literary, legal, and political sources. Literature is an especially valuable archive because poets and politicians shared a repertoire of rhetorical techniques for representing things or people, whether in parliament or in a play. Tracking those techniques from Tudor humanism to the English Revolution, the book tells a new history of the perennial tensions between representation and popular power.